We’ll start with the ungraded shot:
We’ll start off by doing a quick balance. This shot looks just a bit blue-gray, and the skin tones are a little paler than in real life, so we’ll push in a warmer tone in the highlights.
Now we’ll start on the look. I want a really high contrast look, but not too saturated. It’ll end up looking very similar to a bleach bypass, but we’ll go about it in a slightly different way. First we’ll crush our blacks a bit to start on the high contrast:
Now we’ll raise the highlights to get the suit back and have a little bit of overexposure on the sunlight hotspots.
Now we’ll lower the mids to add back in a little more contrast. I want to only retain a little of the shadow detail on the suit. He’s sinister character, so I want him to exude darkness.
Now we’ll start adding color. I want a dusty sepia-ish tone, but not all in the same tonal area, so we’ll push some red orange into the mids:
Now we’l pull the shot back to a sepia by pulling some color into the shadows:
Now that we’ve finished that, we’ll do a good deal of desaturation, but I want that in a new secondary for control:
The last part of the look will be a vignette around the edges:
Now one last step, and one that I don’t normally do for edge vignettes. Normally I just increase contrast on the edges through the shadows and mids, while leaving the highlights alone. This time i’ll drop the highlights pretty dramatically on the edges.
Here are a few other examples of shots from this short with the look applied:
If you want to see it in action, here’s the final piece (produced for my full-time job at a church):
Attached is the Apple Color secondary for this look. You will probably have to adjust this for your shot, but it should work as a good base. As usual, feel free to use this look in your projects all you want, but please don’t share or distribute this preset. Instead, send them here to get it.
Hi-Con Sepia (64.2 KiB)
to install: unzip, then put in ~/Library/Application Support/Color/Secondary/