Colorist Tip #31 – Enhance Subject

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Colorist Tip #31 – Enhance Subject

The last main question to ask yourself when working on Secondary Color Correction: “How can I make my subject look better?” One of your jobs as a colorist is to make your subject look as good as possible. Your grade should flatter them.

Our job as a colorist is to make the shot look awesome, and this definitely includes the subject. As colorists, we should make the subject look as good as possible. This especially applies to female characters, but even male characters need s little enhancing now and then. We’ll go into some advanced techniques for this (skin softening, subtle relighting, highlight bloom and “silk stocking” effects, etc.) in future tips.

To intro this, we’ll finish up the shot that we’ve been working on for the last few posts. Here’s where we left off:

Where we left off in the last post.

We had a great make-up artist on this shoot, so I didn’t feel like I needed to do any skin softening on him. The first thing that I did think would make him look better is pulling his skintones down in saturation a bit. He looks a little too orange in this shot for my taste, even if it is the trend. So, we’ll pull a key on his skin:

I started with the eye dropper, then messed around with the settings to get the cleanest key

Here's the matte for the key. There's a little in the brick, but it won't be an issue (I watched the footage to make sure it wouldn't)

I blurred the key a little, then I pulled the saturation down till he looked more natural

Here's what we get. Much more natural.

Now that we’ve taken care of that, the other thing that we can work on is his eyes. With the lighting that day, coupled with his heavier brow, his eyes were really dark, so we’ll lighten them up. The first thing I did for this was track each eye in the shot, but we’ll go into tracking later. After that, I created a small, semi-soft circle vignette and lightened up the mids just a tad:

I lightened up the mids just a little to brighten his eyes.

One down, one to go.

Then I’ll do the same for the other eye:

Same as before, just a small adjustments in the mids

Both eyes fixed

There we go, the final grade for the shot! Here’s a look at the steps it took to get here:

The Base

The "Look"

Remove distractions

Bring focus to the subject.

Make the subject look better

There you go!

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