- Colorist Tip #39 – Sat. CurveThe saturation curve lets you adjust saturation for a range of hues using control points. Isolate the hue, then pull up/down. It's particularly useful for affecting multiple colors/hues in a single secondary. The best way to describe how this works...continue reading
- Colorist Tip #38 – Work “Outside”Want to affect everything but something? Key or put a window on what you don't want, then work "outside" your selection. In Resolve, make a new "outside" node. In Apple Color change this drop down: I used this technique to...continue reading
- Colorist Tip #37 – Limiting KeysUse windows to limit keys to a specific are of an image so they don't pick up similar colors in another part of the frame. Example - Key a sky to make it more vivid, but someone is wearing blue....continue reading
- Colorist Tip #36 – Face WindowsUse soft circle windows to brighten up or darken faces as needed, especially to compensate for dark or aggressive looks. Face windows/vignettes are very common in coloring, and can be a great tool in your workflow. This may seems like...continue reading
- Colorist Tip #35 – Selection ViewsIn Apple Color secondaries, there are three views for window or key selections - the final output, isolated color, & the matte. The matte view is probably the most useful of these for fine tuning keys because you can see...continue reading
