- Contrast is King – Part 3We've discussed contrast in an image, and how it affects perceived sharpness and mood. In the last post we discussed contrast between images in editing and how to use that, as well as changes and juxtaposition of pace, to create...continue reading
- Contrast is King – Part 2We looked over contrast in color grading in Part 1, and saw how it affects perceived sharpness and energy level. In this post, we'll dive into contrast in editing, but first, a quick reminder on the definition of contrast and...continue reading
- IMAG Directinghttp://vimeo.com/41785721 Like I've mentioned a few times before, I work full time at a church. One of the things I do besides the original videos and running the comm. dept. is managing the IMAG team on Sundays. I've been recording...continue reading
- Colorist Tip #45 – MonitorsA must have for any colorist is a reliable and calibrated broadcast monitor. It's a colorist's best friend! Don't just use a computer monitor. These rarely (if ever) have the right controls to properly calibrate the monitor. For those of you...continue reading
- Colorist Tip #19 – Prod Design IIKnow you're going to be grading a movie that's still in pre-production? Go ahead and talk with them about the look & production design. If they have an idea of what look they want, they can make your job as...continue reading
